about
Musician and composer Nathaniel Braddock tours internationally and performs an array of musical styles in venues as disparate as underground arts spaces and Lincoln Center. Based for years in Chicago, Braddock relocated to Sydney, Australia, in 2014, and to Cambridge, Massachusetts in 2016. Nathaniel performs solo fingerstyle guitar concerts drawing on his repertoire of African roots and American fingerstyle guitar music. He leads several African style bands including the acclaimed soukous and highlife group the Occidental Brothers Dance Band International and Maison Électronique (modern seben music). Braddock has also performed with the African musicians Samba Mapangala (DRC), Abdoulaye Conde (Guinea), Koo Nimo (Ghana), Jupiter Bokondji (DRC), Moussa Diakate (Mali), Angela Kalule (Uganda), Mathew Tembo (Zambia), Akablay (Ghana), Balla Kouyate (Mali), Loide Jorge (Mozambique), and Julius Juuko (Uganda). Nathaniel also leads the contemporary improvising group Accra Quartet with three Ghanaian musicians, the traditional coastal guitar ensemble Palmwine Session with Anthony Akablay, the classic Kinshasa style band Air Congo, the experimental African jazz group Trio Mokili with Junius Paul and Makaya McCraven, the instrumental surf and Sun Ra project Plutonians!, and the Sydney-based inie rock group Stints with Max Doyle.
Braddock has produced several podcast episodes to Afropop Worldwide, written articles for the Fretboard Journal, and contributed the chapter, “African Electric Networks” to The Cambridge Companion to the Electric Guitar.
Nathaniel has performed and recorded with a number of American and Australian indie rock bands, including Tobin Summerfield’s gigantic band “Never Enough Hope”, The Zincs (Thrill Jockey), Ancientgreeks (Flameshovel), Edith Frost (Drag City), and Songs (Pop Frenzy). He played for years in the Butcher Shop Quartet, performing electric guitar arrangements of Igor Stravinsky’s Rite of Spring and other 20th century classical works. Braddock leads an eight-piece electric guitar ensemble that plays his original compositions. He has twice been featured in Guitar Player Magazine.
Nathaniel teaches privately, and has been on faculty at the Passim School of Music, Chicago’s Old Town School of Folk Music, and Chair of the Chicago Waldorf School’s guitar program from 2005-12. Braddock’s class offerings include African Electric and African Acoustic Guitar Styles, Fingerpicking Around The World, Fingerboard Theory, and British Folk Revival. His ensemble classes include Reggae, Afrobeat, Ethiojazz, Instrumental Rock, and “Kill Yr Idols”–a survey of influential punk and underground rock. Braddock also offers workshops and masterclasses in Europe and North America on African popular guitar styles and was a guest lecturer at Georgetown University, the University of Newcastle, Northwestern University, the Kellogg School of Business, DePaul University, Christchurch Polytechnic Institute of Technology, and Musiga, West Africa. Braddock has co-presented workshops with Ghanaian Palm Wine guitarist Koo Nimo, Tinariwen guitarist Abdallah ag Alhousseini, and Malian songhai guitarist Sidi Toure. Other non-guitar musics that Nathaniel has studied and performed include church bell music and gamelan musics from Java and Bali. He has presented many new works for dance in collaboration with Edisa Weeks, Delirious Dance, Khecari, Hedwig Dance, choreographers Liana Percoco and Asimina Chremos, and with Julie Atlas Muz at the 2004 Whitney Biennial in New York. He premiers a new work for dance w collaborator Edisa Weeks in 2018. He is the recipient of 2002, 2004, and 2005 CAAP grants from the City of Chicago to fund the development of new work, and a 2013 DCASE granting funding music research in Ghana, West Africa, and a 2023-4 FLAS fellowship from the US Department of Education sponsoring fieldwork in Kinshasa, DRC.
Nathaniel earned a Master of Arts in Ethnomusicology from Tufts University, and is completing his dissertation at Boston University.
